![]() ![]() Participant data was analyzed through inductive analysis based on the principles of grounded theory. ![]() Between 20 data was collected through open interviews and video recordings of rehearsals and performances. The project revolves around The Ostend Street Orkestra (TOSO), a music ensemble within which homeless adults and individuals with a psychiatric or alcohol/drug related background engage in collective musical improvisation. ![]() In this contribution, we draw on findings from a non-formal, community music project to elaborate on the relationship between the concept of eudaimonia, as defined by Seligman, the interactive dimensions of collective free improvisation, and the concept of collaborative creativity. 4CORPoREAL, Royal Conservatoire of Antwerp, Antwerp, Belgium.3IPEM, Department of Musicology, Ghent University, Ghent, Belgium.2Department of Music, LUCA School of Arts, Campus Lemmens, Leuven, Belgium.1Associated Faculty of the Arts, KU Leuven, Leuven, Belgium.Filip Verneert 1,2*, Luc Nijs 3,4 and Thomas De Baets 1,2 ![]()
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